Vaporous casting. The invocation of the Snake of fire.

Vaporous casting. The invocation of the Snake of fire.

Title: Vaporous casting. The invocation of the Snake of fire. From the series “Metamorfo Alucinógeno”.

 

Year:2020

 

 

Technique: A mixture technique of both inks and pens over a 160 grms paper.

 

 

Size: 297 x 420 mm.

 

Concept.

 

 

Metamorfo Alucinógeno is the name of the series of surrealistic, articulated everyday objects based on the memory gets in the game of automatic drawing.

 

The idea that would serve as guide for its realization is the “vibrant movement”. In which everything is connected in a constant expansion and contraction. It is similar to the breathing. Keeping a flow energy between the shapes translating them plastically into construction drawings and perspectives.

 

That is how people can blend the outlines. A constant metamorphosis as the way out of an hallucination in which the limit will be the imagination and the faculty of organize various elements and shapes.

 

Regarding to the energy, which is considered to be in the shape of psychic pulsars both conscious and unconscious, born throughout the thinking and the synergy they generate.

 

Thus, they can be playfully materializing it in the application of color or the bonding between shapes, They are guided according to compositional proposals.

 

Searching the core of the shapes during the energetic traffic, fulfilling the voids between one and others.

 

The contextual reconfigurations of the shapes, overcoming of logic and reality itself. As Andre Breton exposed in his surrealistic manifest of 1924, he proposed a bond between the internal world of the subject with his environment in a fantastic appropriation.

 

“If the deepest of our spirit hide strange forces which are able of expand them who lay on the surface, or fight them successfully against them, the big interest is to capture this forces to submit them to the dominance of our region”. (Andre Breton, 1924, page 5)

 

That leads to the beginning of composite games, planes and perspectives who seeks to decompose basic notions as up and down.

 

In this approach the primary idea, added to the traffic between dense and steamy of the shapes that are being characterized in the paper, working in the paper, as a visual link between the different elements.

 

Artist: WALO PLUS

  • ARTWORK INFO

     

    Title: Vaporous casting. The invocation of the Snake of fire. From the series “Metamorfo Alucinógeno”.

    Year:2020

    Technique: A mixture technique of both inks and pens over a 160 grms paper.

    Size: 297 x 420 mm.

     

  • ARTIST INFO

    WALO PLUS

    Born in February 24th, 1989 in the city of Linares, Region del Maule, Chile, Eduardo Daniel Ampuero Castro is the oldest son of Leonora Castro and Luis Ampuero.

    Since he was a children, Eduardo developed an interest for drawing which it is intensified in his teenage years. Due to this, he started to appreciate the expressive language as a tool to tear the reality keeping his intimate perceptions in

     

    an infinite dimension. A secret window to the interior due to the close social risk of his family and loves ones.

    From here, searching of a perspective of life, he decided to fulfill his dreams. In 2008, he started to study Bachelor’s degree in Visuals Arts in the Catholic University of Temuco, Chile. He studied eight semesters but he didn’t finish it.

     

    Thus, like in this project, he approached the movements of Surrealism and Dadaism. This will lead him to get deep inside the aspects of the psyche, in both pulsations and the reconfiguration of the memory. The perception and assimilation of the environment in the recognition of the inner image.

    This leads him to participate in two collective expositions of the art academy: the first collective exposition of students called “Ejercicios de Taller” in 2009, which was held in Galería Municipal de Arte Plaza Anibal Pinto. The second in the Galeria de la Universidad Catolica de Temuco named “Desde el Bosque II”, in the 2011. This exposition was also a collective exposition.

    Since 2013, he has been teaching artistic disciplines in a private manner. Further, he continues studying the deepening and production of images, experimenting with different materials, facing compositions and textures and exploring the internal dimensions of the human being trough art.

  • ADDITIONAL INFO

     

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